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MUSIC

For scores & parts or more info, contact: hugh@hughlevick.com

solos

INSPIRED BY DOUBT for solo piano

    Duration: 11’ (2015 & 2021)


PRAYER For solo violin

    Duration: 12’ (2019-2020)


ANGELUS NOVUS for piano solo

    Duration: 11’ (2004, rev 2017)


THE MAN WHO DISAPPEARED - for solo piano

    Duration: 10’ (2009)


THE I-TYPE OF BEING - for solo flute

    Duration: 13’ (2009)


GONE - for cello solo

    Duration: 15’ (2008)


DECLINE & FALL – for piano solo

    Duration: 17’ (2004)

trios

OTHERWISE for piano, violin, cello

    Duration: 22’ (2022)


OPEN TO THE SKY for 3 cellos

    Duration: 9’ (2017, rev 2020)


BREAK WITH FINITUDE - for oboe, viola & horn

    Duration: 8’ (2008)


TRANSLATION—for piano, violin, cello

    Duration: 20’ (2006)

quartets plus

ISLAND & EXILE for string quartet and piano

    Duration: 20’ (2013-2014)


CONSTELLATION for string quartet and bass baritone

    Duration: 21’ (2013-2014)


REMNANTS OF SYMMETRY for string quartet and percussion: Percussion 1 crotales, marimba, wood blocks (share with perc 2), chimes, 3 snare drums, 2 suspended cymbals (share with perc 2), xylophone, gong (share with perc 2), 2 tam-tams(share with perc 2), 8 tom-toms (share with perc 2);Percussion 2 vibraphone, glockenspiel, bass drum
    Duration :21’ (2014-2015)

voice and ensemble

THE SONG OF PROPHET X for speaker/singer, piano, violin, viola, cello

    Duration: 18’ (2024-2025)


VOICES RAISED for soprano, prepared piano, flute, clarinet, violin, cello

    Duration: 10’ (2021)


TIERRA DEL FUEGO for bass baritone & string quartet

    Duration: 9’ (2015)

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JOSEPHINE, THE SINGING MOUSE - for acapella SATB

    Duration: 7’ (2005)

speaking soloist

MAYBE THE STORY OF ‘ I ‘ solo for speaking pianist

    Duration: 16’ 30” (2015)


THE MESSIAH solo for speaking cellist

    Duration: 14’35” (2016-2017)


THE AFTER WORLD solo for speaking percussionist and found object percussion

    Duration: 9’ (2018-2019)

large chamber ensemble

PETRIFIED UNREST for flute/piccolo, Bb clarinet/bass clarinet, oboe, horn, bassoon, 2 violins, viola, cello, Percussion 1 (crotales, vibraphone, 1 timpani, tamborine), Percussion 2 (tubular bells, wood blocks (4), tom-toms (5), bass drum)

    Duration: 16’30” (2020-24)


DISRUPTION PICARESQUE for soprano, flute/piccolo, Bb clarinet /bass clarinet, oboe, horn, trombone, violin, viola, cello, piano, Percussion 1 (glockenspiel, crotales, vibraphone, marimba, timpani) Percussion 2 (temple blocks (5), almglocken (5), tom-toms (4), tubular bells), piano
    Duration: 21”(2021)


SHARDS for soprano, flute/piccolo, /bass clarinet, oboe, horn, bassoon, 2 violins, viola, cello, Percussion 1 (crotales, vibraphone, 1 timpani, tamborine), Percussion 2 (tubular bells,
wood blocks (4), tom-toms (5), bass drum)

    Duration: 16’40”( 2019)

opera/chamber opera

AMERIKA, an opera, for soprano, mezzo, bass, baritone, 3 tenors, bass baritone & ensemble: piano, violin, cello, double bass, flute, clarinet, oboe

    Duration: 75’ (2000-2002)


BANG FOR THE BUCK, an opera; dramatic baritone, 3 sopranos, mezzo, tenor, lyric tenor, lyric baritone, bass; Orchestra 2(2.picc, afl).2.2.2 – 2.2.2.1 – timp, 1–2 perc, pno – strings 6.5.4.5.0

    Duration 90’ (1998-2000)


THE EMBRACE OF REASONABLE TERROR, a chamber opera for soprano, tenor, baritone, saxophones, percussion and piano

    Duration: 60’ (1987-1989)

duos

TERRESTRIALS for violin and piano

    Duration: 15’ (2021-2022)


TAKE HEED for soprano and harp

    Duration: 7’ (2021)


ADIEUX for piano and violin

    Duration: 14' (2007, revised 2020)


ANGEL OF HISTORY for soprano and piano

    Duration: 12’ (2004 rev 2011)


THE WARS - for baritone & piano

    Duration 7’ (2006)


AWAKE - for bass voice & piano

    Duration: 6’ (2006)

quartets

SHREDDED for String Quartet

    Duration: 18’ (2017-2023)


SAXOPHONE for string quartet

    Duration: 15’ (2016)


THE UNIMAGINED: PREPARATIONS FOR THE UNKNOWN - string quartet

    Duration: 17’ (2010-2011)


EMPIRE Inc. – for string quartet

    Duration: 22’ (2010)


MORNING EVENNG LOVE BEARS ALL for string quartet

    Duration: 22’30” (2005-2009)

mixed ensembles

FROM THE RUINS for piano, violin, cello, flute, clarinet and percussion

    Duration: 15’ (2018-2019)


CODE V for piano, violin, cello, flute, clarinet

    Duration: 14’ (2009, rev 2012)


CODE - for piano, violin, cello, double bass, flute, clarinet, oboe

    Duration: 15’(2005)

percussion ensemble

BIFURCATIONS for percussion quartet: marimba, vibraphone, glockenspiel, cow bells, wood blocks, gong, crotales, toms, bass drum

    Duration: 8’ (2018, rev 2020)


DERIVATIVES - for 6 percussionists: tubular bells, marimba bass drum, toms, temple blocks, cow bells crotales, cymbals, shakers, tambourine, wind chimes

    Duration: 9’ (2008-2009)

electroacoustic

ENVIRONMENTAL DISASTERS for String Quartet, Fake Weather and Lies for string quartet and pre-recorded audio

    Duration: 22’35” (2017-2018)


WMD-WAR MAKES DEAD – for cello and electronics

    Duration: 8’ (2010)


DARRELL OF NEW ORLEANS - for solo horn & electronics

    Duration: 7’40” (2005)


FRACTURE - for solo trumpet & electronics

    Duration: 8’ (2004)


METAPHOR - for solo oboe & electronics

    Duration: 13’ (2004)


NOSOTROS - for solo violin & electronics

    Duration: 8’46”(2003)


THE COUNTESS AND THE KID for saxophones, flute, percussion, electric guitar

    Duration 22’ (1982)

orchestra

INCLUSION for piano and orchestra

    Duration: 22’ (2019-2020)
       2(2.picc, afl).2.2.2 – 2.2.2.1 – strings 6.5.4.5.0 timpani,
       percussion 1: marimba, crotales
       percussion 2: vibraphone, woodblocks, almglocken   
       percussion 3: tom-tome, bass drum, suspended cymbal,
       gong; piano

performances pieces

KID COPY, for saxophonist, text and video

    Duration: 90’ (1981-1984)


MOUTHWATERS, SY BORG, SAXPHONE FLESHTRONICS, GOD—THE ARTIST, for saxophone and text (1979-1984)

© 2025-2026 by Hugh Levick

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